Sam Francis: ‘The garden’, ‘The portal’, and ‘The vessel’

Inside
the Darker nights
of the evergreen
Red Heart
Where there’s Free roses
The Genius of The Garden
fell
in a den of iniquity 	down
Outside it was GREEN
// Inside A Terrible Beauty
of plenty and excess
- large-scale, backlit
- vertical, horizontal, linear
We laugh, but
imagine the 
Collinson
of green foliage
pages

“Then write it,”
she said.
sculptural hand
actively seeking
cerebral and sensual
opened zips
sanctioned sublimity
vividly arranged
enlightenment mutate
recently jumped attractive kind of double
vast theatrical

Sam Francis

Sam is an artist and edgeland naturalist who writes. She has had an on-going preoccupation with the colour green for some time. In dialogue with non-human life forms, her work explores themes of aloneness, often within the landscape, and seen through an eco-feminist lens. Text plays a central role in her visual work, through sound, film, installation, print, and reflections on space and place. Publications include a piece on the anatomy and culture of nettles in Caught by the River, and a text about island disorientation featured in Vernacular Journal, with green and blue poems featured in indie platforms Seedlings and Gilded Dirt. Her eco-feminist almanac Teasels will be published by Hazel Press, summer 2025.

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