& within this vestibule the sighing & side-glances,
demands for just-asked-for jackets, & axes dealt
to execs in their excess, & star-born nephews needing
validation; & on this thin strip of wooden walkway,
in the gaze of dead deer, a floor air bubble that shocks
& wilders passers-by who have walked upon it one
thousand times, beside the gunshots on television
(free film school for everyone!) where we have
seen passive-aggression, passing gremlins, & a red-
state journeyman who lusts for connection along-
side extras lost from fittings (if they just turned right
past the blue truck, an open door you can’t see
from here, here, where we have waited for a call
sheet for hours), & once, there was a heavy storm
& we watched a CATERING cone withstand
the rain & hail & screeching wind & we were on the
inside, too, through the glass, rooting everyone on–
yet hollered in catharsis when it tumbled down.

James Croal Jackson
James Croal Jackson is a Filipino-American poet who works in film production. His latest chapbooks are Count Seeds With Me (Ethel Zine & Micro-Press, 2022) and Our Past Leaves (Kelsay Books, 2021). Recent poems are in Stirring, Vilas Avenue, and *82 Review. He edits The Mantle Poetry from Pittsburgh, Pennsylvania. (jamescroaljackson.com)
