We caught up with Nikki Dudley of streetcake magazine to find out more about the magazine’s Crowdfund campaign: “Experimental magazine, streetcake has not been given ACE funding for its writing prize this year but we would still love to celebrate experimental/innovative writing with some workshops in the UK and online, plus an anthology of amazingContinue reading “Can you support ‘streetcake’?”
Category Archives: Uncategorized
Imogen Reid: Text(ile)
Each image is made by utilizing chance interventions such as misprints and misalignments, along with techniques such as overprinting, cutting, turning, erasing, and repeating, as a means by which to rearrange the components of a printed page of writing. Individual letters, punctuation marks, white spaces, gaps, numerical digits, and marks made during human interaction withContinue reading “Imogen Reid: Text(ile)”
Katherine Collins: The Bacchant Woman is a Painting
Bunches of grapes for earrings bunched up bedsheets twistedclenched in a bunch of knuckles sore like haemorrhoids shamefulbunch of grapes (an awkward side effect of pregnancy) wobblyglobules, droplets from each lobe make blotches on her nakedbreasts with nipples painted over is that modest, women, allbut cover faces if hers is covered it’s with arches archedContinue reading “Katherine Collins: The Bacchant Woman is a Painting”
Dan Power: from the Oulipo Puzzle Book
Dan Power Dan Power is a poet and editor of Trickhouse Press. His most recent collections include late morning (Broken Sleep/Legitimate Snack, 2022) and the surreal post-internet adventure SELECTED DREAMS (Steel Incisors, 2021), as well as pamphlets with If A Leaf Falls and Spam Press. The first issue of ‘The Oulipo Puzzle Book’ is out from Trickhouse Press in SpringContinue reading “Dan Power: from the Oulipo Puzzle Book”
James Gale: A Field
The flat is dark and grimy. Your room receives no sunlight. The sky is dank and lowand murk and it grinds to a halt because everything grinds to a halt. It is impossiblethat anything could have ever been anything other than this, or will ever be anythingelse. You can see for miles across the field,Continue reading “James Gale: A Field”
Carolyn Hashimoto: [SKIP]
Cow skips. Cow farts. Cow receives the semen of a prize bull. Cow says fuck this. Cowtakes a walk. Out of the barn, out of the farm, onto a residential street and comesacross a city. Cow can’t imagine. Cow can’t imagine there’s a place like this. Cow walks [she will learn to skip later, butContinue reading “Carolyn Hashimoto: [SKIP]”
Birgit & Ursula Wildt: Ophelia goes missing
Birgit & Ursula Wildt Birgit Wildt (writer) is published in Overground Underground, The Pomegranate London, NUNUM, Wanderlust, Reflex Fiction, Die Leere Mitte, Litro. Ursula Wildt (artist) is featured in Overground Underground, NUNUM, Art Room, Margate Bookie Zine, Grey Cube, Envision Arts, A.R.T..
Birgit & Ursula Wildt: Camps
Birgit & Ursula Wildt Birgit Wildt (writer) is published in Overground Underground, The Pomegranate London, NUNUM, Wanderlust, Reflex Fiction, Die Leere Mitte, Litro. Ursula Wildt (artist) is featured in Overground Underground, NUNUM, Art Room, Margate Bookie Zine, Grey Cube, Envision Arts, A.R.T..
Jinny Fisher: How to Get to Carnegie Hall: Violin Version
Jinny Fisher Jinny Fisher lives in Glastonbury and is a member of Wells Fountain Poets. Print and online appearances include Lighthouse, The Interpreter’s House, Under the Radar, Domestic Cherry, Tears in the Fence, Prole, and Ink, Sweat & Tears. Her poems have been commended and placed in national and international competitions, including as runner-up inContinue reading “Jinny Fisher: How to Get to Carnegie Hall: Violin Version”
Bethany Mitchell: Hide
Stillness in the reedbed, still—the unseen heron’s-kin. The stealthy bill; thesilent wading. Secretive on water’s edge. No buff, broad body, no bowedwings on the bush-border ledge. Such bitterness—but then: wind blown over glass-bottle neck: bull of the bog’s booming call. Butea + taurus: hawk-bull: butorius, Botaurus. Low—slow—breeze bitten five kilometres away.The bullish call of theContinue reading “Bethany Mitchell: Hide”
