Can you support ‘streetcake’?

We caught up with Nikki Dudley of streetcake magazine to find out more about the magazine’s Crowdfund campaign: “Experimental magazine, streetcake has not been given ACE funding for its writing prize this year but we would still love to celebrate experimental/innovative writing with some workshops in the UK and online, plus an anthology of amazingContinue reading “Can you support ‘streetcake’?”

Imogen Reid: Text(ile)

Each image is made by utilizing chance interventions such as misprints and misalignments, along with techniques such as overprinting, cutting, turning, erasing, and repeating, as a means by which to rearrange the components of a printed page of writing. Individual letters, punctuation marks, white spaces, gaps, numerical digits, and marks made during human interaction withContinue reading “Imogen Reid: Text(ile)”

Katherine Collins: The Bacchant Woman is a Painting

Bunches of grapes for earrings bunched up bedsheets twistedclenched in a bunch of knuckles sore like haemorrhoids shamefulbunch of grapes (an awkward side effect of pregnancy) wobblyglobules, droplets from each lobe make blotches on her nakedbreasts with nipples painted over is that modest, women, allbut cover faces if hers is covered it’s with arches archedContinue reading “Katherine Collins: The Bacchant Woman is a Painting”

Dan Power: from the Oulipo Puzzle Book

Dan Power Dan Power is a poet and editor of Trickhouse Press. His most recent collections include late morning (Broken Sleep/Legitimate Snack, 2022) and the surreal post-internet adventure SELECTED DREAMS (Steel Incisors, 2021), as well as pamphlets with If A Leaf Falls and Spam Press. The first issue of ‘The Oulipo Puzzle Book’ is out from Trickhouse Press in SpringContinue reading “Dan Power: from the Oulipo Puzzle Book”

Jinny Fisher: How to Get to Carnegie Hall: Violin Version

Jinny Fisher Jinny Fisher lives in Glastonbury and is a member of Wells Fountain Poets. Print and online appearances include Lighthouse, The Interpreter’s House, Under the Radar, Domestic Cherry, Tears in the Fence, Prole, and Ink, Sweat & Tears. Her poems have been commended and placed in national and international competitions, including as runner-up inContinue reading “Jinny Fisher: How to Get to Carnegie Hall: Violin Version”

Bethany Mitchell: Hide

Stillness in the reedbed, still—the unseen heron’s-kin. The stealthy bill; thesilent wading. Secretive on water’s edge. No buff, broad body, no bowedwings on the bush-border ledge. Such bitterness—but then: wind blown over glass-bottle neck: bull of the bog’s booming call. Butea + taurus: hawk-bull: butorius, Botaurus. Low—slow—breeze bitten five kilometres away.The bullish call of theContinue reading “Bethany Mitchell: Hide”